{"id":230593,"date":"2024-11-04T11:34:28","date_gmt":"2024-11-04T10:34:28","guid":{"rendered":"https:\/\/www.scriptamaneant.com\/sm\/?post_type=product&p=230593"},"modified":"2026-05-14T10:38:17","modified_gmt":"2026-05-14T08:38:17","slug":"la-basilica-di-santa-maria-maggiore","status":"publish","type":"product","link":"https:\/\/www.scriptamaneant.com\/sm\/negozio\/la-basilica-di-santa-maria-maggiore\/","title":{"rendered":"La Basilica di Santa Maria Maggiore"},"content":{"rendered":"

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La Basilica di Santa Maria Maggiore<\/h2>\n
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Il volume definitivo per scoprire le bellezze inestimabili custodite nel tempio mariano per eccellenza: la Basilica Papale di Santa Maria Maggiore.<\/strong>
Unica tra le maggiori basiliche di Roma a conservare le strutture originarie, \u00e8 qui celebrata grazie a inediti scatti in gigapixel e in scala 1:1.<\/strong>
Si possono cos\u00ec ammirare per la prima volta nella loro grandezza i mosaici della navata centrale e dell\u2019Arco trionfale risalenti al pontificato di Sisto III (432-440), quelli dell\u2019abside realizzati per volere di Niccol\u00f2 V (1288-1292), il pavimento cosmatesco, il soffitto cassettonato disegnato da Giuliano da Sangallo, il Presepe di Arnolfo di Cambio, l\u2019Altare Maggiore di Ferdinando Fuga e del Valadier e le cappelle Borghese, Sistina, Sforza, Cesi, del Crocifisso e di San Michele.<\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_image src=”https:\/\/www.scriptamaneant.com\/sm\/wp-content\/uploads\/2024\/11\/Volume_Santa_Maria_Maggiore___Cover_Bookshop_Singolo-2.png” _builder_version=”3.19.18″ custom_margin=”80px|||0px” animation=”off” \/][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=”1″ prev_background_color=”rgba(193,184,141,0.2)” next_background_color=”rgba(193,184,141,0.2)” module_id=”2″ _builder_version=”3.0.75″ background_color=”rgba(119,100,65,0.19)” custom_padding=”||0|” custom_padding_tablet=”||0|” padding_mobile=”on”][et_pb_row custom_width_px=”1920px” custom_padding=”18px||1px||false|false” background_color_1=”rgba(0,0,0,0)” background_color_2=”rgba(0,0,0,0)” _builder_version=”3.0.99″ background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″][et_pb_gallery gallery_ids=”230605″ fullwidth=”on” _builder_version=”3.19.18″ auto=”on” auto_speed=”2000″ \/][\/et_pb_column][\/et_pb_row][et_pb_row custom_width_px=”1920px” custom_padding=”50px||50px|” background_color_1=”rgba(0,0,0,0)” background_color_2=”rgba(0,0,0,0)” _builder_version=”3.19.18″ background_color=”rgba(0,0,0,0)” background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” _builder_version=”3.19.18″ header_font_size_last_edited=”on|desktop” background_size=”initial” background_position=”top_left” background_repeat=”repeat” saved_tabs=”all”]<\/p>\n

Caratteristiche dell’opera<\/h2>\n
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    Formato<\/strong> cm 24 x 29,5 cm<\/p>\n<\/li>\n

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    Pagine<\/strong> 438<\/p>\n<\/li>\n

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    Immagini<\/strong> 300<\/p>\n<\/li>\n

  • Lingua<\/strong> Italiano \/ Inglese<\/li>\n
  • ISBN\u00a0<\/strong><\/strong>979-12-80717-14-6<\/li>\n<\/ul>\n

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    Indice<\/h2>\n
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    Prefazione del Cardinale Rolandas Makrickas <\/strong><\/p>\n

    Introduzione <\/em>a cura di Andreas Raub<\/em><\/span>
    <\/span><\/p>\n

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    \u201cVergine Maria, a te io, Sisto\u201d. La Basilica di Sisto III (432-440) <\/span>a cura di Sible de Blaauw <\/span><\/p>\n

    Locus mirabilis. Niccolo\u0300 IV (1288-1292) e Santa Maria Maggiore <\/span>a cura di Andreas Raub
    <\/span>Il Presepe di Arnolfo di Cambio <\/span>a cura di Sante Guido <\/span>Neve, Marmo, Oro. <\/span><\/p>\n

    La trasformazione della Basilica nel Quattrocento <\/span>a cura di Arnold Nesselrath <\/span><\/p>\n<\/div>\n

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    La Cappella di Sisto V (1585-1590). Da sepoltura di famiglia a reliquiario monumentale <\/span>a cura di Patrizia Tosini
    <\/span>La Cappella di Paolo V (1605-1621). Sala del Trono della Vergine e Porta del Paradiso <\/span>a cura di Fabio Barry <\/span><\/p>\n

    Le Cappelle Sforza e Ces<\/span>i a cura di Vitale Zanchettin <\/span>Benedetto XIV (1740-1758). \u201cTutto riuscito felicissimamente\u201d <\/span>a cura di Elisabeth Kieven
    <\/span>La Basilica tra il XIX e il XXI secolo <\/span>a cura di Guido Sante <\/span>IL POLO MUSEALE LIBERIANO <\/span><\/p>\n

    Introduzione <\/span>a cura di Andreas Raub
    <\/span>L\u2019area archeologica <\/span>a cura di Olof Brandt
    <\/span>Il mosaico della facciata <\/span>a cura di Andreas Raub <\/span><\/p>\n

    La Sala Capitolare <\/span>a cura di Andreas Raub
    <\/span>Il Museo <\/span>a cura di Andreas Raub
    <\/span>Bibliografia <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

    <\/div>\n<\/div>\n<\/div>\n<\/div>\n

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    Un Racconto Universale<\/h2>\n
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    Volume in concomitanza all’apertura straordinaria della PORTA SANTA durante il Giubileo 2025.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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    Autori<\/h2>\n
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    Andreas Raub<\/strong> Direttore del Polo Museale Liberiano di Santa Maria Maggiore dal 2022.
    Sible De Blaauw<\/strong> Storico dell\u2019arte. Dal 1994 al 2001 \u00e8 stato Responsabile della sezione di storia dell’arte presso il Reale istituto olandese a Roma.
    Guido Sante<\/strong> Docente Incaricato di \u201cPrincipi di Conservazione e Restauro dell\u2019Arte Sacra\u201d presso la Facolt\u00e0 di Storia e Beni Culturali della Chiesa presso Pontificia Universit\u00e0 Gregoriana.
    Arnold Nesselrath<\/strong> Professore di Storia dell\u2019Arte alla Humboldt Universit\u00e4t di Berlino dal 1996. Dal 2009 al 2017 \u00e8 stato Direttore dei dipartimenti di Storia dell\u2019Arte dei Musei Vaticani.
    Patrizia Tosini<\/strong> Professoressa di Storia dell\u2019arte moderna presso l\u2019Universit\u00e0 Roma Tre. Esperta di arti figurative nell\u2019et\u00e0 di Controriforma, in particolare la committenza artistica a Roma nel Cinquecento, la grande decorazione nei palazzi romani, il rapporto tra arti e Lettere nel primo Seicento.
    <\/span>Fabio Barry<\/strong> Professore di Architettura presso la Stanford University e Samuel H. Kress Senior Fellow presso il Center for Advanced Study in the Visual Arts della National Gallery of Art di Washington.
    Vitale Zanchettin<\/strong> Docente di Storia dell\u2019Architettura all’Universit\u00e0 IUAV di Venezia e Responsabile dell\u2019Ufficio di Sovrintendenza architettonica dei Musei Vaticani.
    <\/span>Elisabeth Kieven<\/strong> Storica dell\u2019arte e dell\u2019architettura. Accademica Benemerita dell\u2019Accademia nazionale di San Luca dal 1999 e Senior Fellow presso la National Gallery di Washington.
    Olof Brandt<\/strong> Professore di Architettura paleocristiana presso il Pontificio Istituto di Archeologia Cristiana.<\/p>\n

    <\/strong><\/span><\/p>\n

    Fotografie<\/strong><\/span><\/p>\n

    La Campagna fotografica per il volume \u00e8 stata eseguita per Scripta Maneant<\/span>\u00a0da\u00a0<\/span>BAMSphoto Rodella con la collaborazione di Virginio Gilberti<\/b><\/span>,
    <\/span>Altre immagini <\/span>Carlo Vannini<\/strong><\/p>\n

    <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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    Il Percorso Fotografico Inedito<\/h2>\n

    Inediti scatti in gigapixel e in scala 1:1 campagna fotografica esclusiva.<\/p>\n

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